stretching

Art Journal: January 2026

01/01/26

HNY. Here is to a fruitful, productive and peaceful 2026!

03/01/26

04/01/26

First studio day of the year. Nice bit of structuring to ‘Milena Study’ face.

05/01/26

Late night sketching

06/01/26

Golden Thread Gallery visit at lunchtime. Azzedine Saleck’s 'The Border That Crossed Me' - haunting spectral figures rendered in gold leaf.

​Sharon Murphy’s 'Mise en Abyme' plays with the ‘uncanny’ through theatrical settings and the clever masquerading of material.

08/01/26

The Rispin Curse.

10/01/26

The innovations in the painting come from the parameters I set within the practice

Tim Benson

11/01/26

Wrapping up “BWoatS” for Catalyst Show.

13/01/26

Visit to Ulster Presents to see part I of MFA ‘Prologue’ show.

15/01/26

Some very late night sketching. Must get a decent R.

17/01/26

Derry visit. Guildhall Taphouse Studios - so great to see space for artists of this ilk in the NW especially after the news through the week elsewhere.

VOID - Barbara Steveni retrospective ‘I Find Myself’. A privilege to learn more about her lifelong commitment to the intersection of art and activism.

Rounding up with CCA - ‘It’s Not Clear From Here’. A wonderful show where curator Ashleigh Wilson has beautifully brought together three artists that weave common threads throughout the gallery space.

A lovely phone call on the way to the bus (“There’s one more thing I have to tell you…”).

18/01/26

Stretching large canvas - lots and lots of staples. Now for a bit more time with ‘Milena Study’…

Took a big swing so fingers crossed that fresh eyes in a day or two will see progress rather than a step back. I’ve a feeling it’s both, in different areas.

19/01/26

…first thought is “how the **** is this going to work?”. Polar opposites. Need to chew it over.

24/01/26

Looking at the duality of external vs internal?

25/01/26

A ton of sketchbook work. Drama…. not playing nice. Good news and bad news in the end up.

27/01/26

The MAC over lunchtime. “The Lost Paintings: A Prelude to Return”. Wow, just wow. A powerful show. Deeply moving - caught myself holding tears back walking around the gallery. The show demands you sit with it and witness it. Definitely won’t be the last visit. Raed Issa’s capturing of life in constant displacement - reminded me of Käthe Kollwitz but with a raw immediacy.

28/01/26

Dublin. 'The Last Balkan Cowboy' by Dragana Jurišić in Temple Bar Gallery and Studios. I saw Harry Dean Stanton. In Photo Museum Ireland was 'Empathy Machine' Maija Tammi. Poor wee locust. Rounded up with ‘Passages’ by Siobhán McDonald in the LAB Gallery.

RDH: MAY 2020

01/05/20

Finding a new normal.

02/05/20

…so not just images / maps / diagrams but also fears: nightmares.

  • Where are you?

  • What’s your date of birth?

  • What’s today’s date?

  • Do you know why you are here?

  • Who is the Prime minister?

  • Lift both arms

  • Push against me.

  • Follow my finger.

  • Any dizziness? Nausea?

A face in the clouds.

A face in the clouds.

…cover the eyes.

05/05/20

VAI’s café: So good to see what Cecilia Danell is up to in lockdown.

06/05/20

Tried drawing. Didn’t go well. It’s going to take longer than first thought to get back to creative work. Super frustrating.

11/05/20

Head is so sore today. Silver lining: Jerry Saltz’s “How to Be an Artist” arrived today.

12/05/20

  • …avoid little voice neigh-saying in your head. All topics are valid.

  • utilise R.D. more.

  • …with found imagery, find and explore that connection to your own experiences.

  • You never stop learning or looking for new ways to work.

  • Sharpen observational skills. Draw from experience.

Over-analysing? Maybe.

BBC4 LIFE DRAWING LIVE

“A work of art cannot depend on explanation” - Jerry Saltz

14/05/20

Really enjoyed the webinar from VAI with CCA’s Catherine Hemelryk

INTEGRITY!

16/05/20

National Drawing Day. Really good to sit down and just draw today. Did a live-stream where I set up a still life and a few people drew along.

17/05/20

John Berger is always a good read.

18/05/20

Sketchbook work

19/05/20

VAI café

Orla Whelan: existential questions - preoccupation with death. Philosophical exploration.

Another little bit of late night sketching.

22/05/20

The virtual opening of the Catalyst Members Show.

More late night sketchbook work.

24/05/20

“An artists’ job is to reflect the time we live in.” - Nina Simone

26/05/20

“Using line to make visual texture” - Fiona Rae on Dürer

“Race to the Bottom” detail.

“Race to the Bottom” detail.

27/05/20

studio-shot-27-05-20.jpg

28/05/20

Started teaching my dad how to stretch canvas as I can’t at the moment.

Apparently I have the same birthday as Edward Hopper.

30/05/20

Canvas projecting.

Canvas projecting.

31/05/20

Early morning reading.

Early morning reading.

“At root, truth to painting is truth to light.” - Juliam Barnes

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