Art Journal: October 2025

01/10/25

Prep ahead of VAI event in the MAC.

02/10/25

The start of a crazy month. But looking forward to LNAB later…

Craft NI - Derek Wilson

‘The Weight of Inheritance’ showing in the Royale Arcade Academy group exhibition.

PS²

Catalyst Arts

05/10/25

Deep breath…

Let’s have a go at session three for “B,W,oatS”.

A Brush with Wolfgang Tillmans - “RE-ENERGISE YOUR ARCHIVE!”

From what I can tell, the ocular device looks the part - symmetrical enough to look convincing and squ-whiff enough to be interesting.

Finished - bar Malcolm’s contribution (although I do kind of like it).

S….GF?

12/10/25

A Brush with Suzanne Jackson.

Completed ‘Kiss with a Red Flag’ - minimal touches needed - thin wash on highlights of hair and a slight change in background / freshening of the red flag / shirt. It could have been done on the second session but with elements not dry, the risk was too high of destroying any good work done to that point.

14/10/25

Visit to the MAC. Niamh Seana Meehan’s sombre textile installation that waits for you to immerse yourself.

William McKeown’s paintings of meditative light and beautifully subtle horizon lines.

Marie Hanlon and Rhona Clarke’s thought provoking work - a collaborative video installation that shines a light on the climate emergency plus Hnnlon’s sculptures of knotted glass that explores water as a resource.

19/10/25

Second session on ‘To Conjure’. Both images are fighting for dominance right now. Limiting the palette to see how this could affect this struggle and the work as a whole.

Mostly working on the large portrait element today.

22/10/25

EMIC

26/10/25

Went and sat up in the studio for a while only to realise I wasn’t ready Space needed tidying up and organised so after a bit of time cleaning - it was back down to the office to work on admin updates. The boring stuff needs done too.

28/10/25

Zhanna Kadyrova in the Golden Thread Gallery’s ‘Radical Hope’ exhibition.

RDH: APRIL 2024

02/04/24

Utilise own advice! Get pro-active!

04/04/24

Not being idle within practice is key.

LNAB

Éabha Campbell - DEPICTA MUSCA in Catalyst - beautifully macabre.

Stephanie Loveless - “This Street is a Song” - part of Sonorities Festival.

Blue Whale/Maeve McGreevy/Tom Hughes - “Last Immediate Moving Image” at VAULT.

07/04/24

“A Brush With… Nalini Malani”

“…slippage of imagery…”

Clothing detail work on “Last Fancy Dress” and a promising start on “They Had It Coming”. Keep it raw - how do you describe that?

11/04/24

Submission 1.

16/04/24

Submission 2. Ran out of time for drawing work.

17/04/24

Sketchbook work.

S.A.W.E.D.

18/04/24

Submission 3 - an open call.

21/04/24

Studio - pre paint notes:

• Headscarf - maroon?

• Background - a sickly yellow / green (not unlike “Amy Study”.

Now that the canvas is covered (no more blankness) - it’s show time.

24/04/24

Dublin bound. Really bad that I have gotten out of the way writing in this. [slaps wrist].

S.V. confirmed! Class!

Popped into the LAB Gallery to see “Emergency Knowledge: The Missing Archives - Vagabond Reviews”. Great to see Save Our Sperrins highlighted among other important causes.

25/04/24

OK, so I’ve been putting this off for a while and now, it seems that bus time is usually RD time these days.

Project idea I had maybe ten years ago: record a sitter - up close in portrait whilst asking questions - mix of mundane and psychological. Between each question - leave around 20 - 30 seconds. The sitter remains silent throughout - more of an introspective process. The idea was to then take still of video and convert to painting.

What if…

test demo screenshot from 2014

instead of a static camera on tripod (that I tried back in 2014) - the footage moved in, out and around the sitter?

And…

instead of working off individual stills on separate works - merging onto one surface. Showing a variation in composition, scale and method of painting depending on the image taken throughout the test?

So, let’s take stock…

Four submissions done in past 6 weeks plus an SV!

Sketchbook work tonight - since brain is firing on a few more cylinders than usual.

27/04/24

Four years. Surreal.

28/04/24

Studio time.

Well, after nearly losing it on the skin tones - “THIC” turned out better than I could have hoped. A strange feeling.

30/04/24

“mother tongue” in the MAC - GREAT!

Dorothy Hunter’s work took breath away! Bloody brilliant.

Upper Gallery view of "mother tongue" in the MAC

'Formwork (Nervous Systems)' by Jane Butler

'as much as one can do' by Dorothy Hunter

RDH: FEBRUARY 2024

01/02/24

Beginnings…

02/02/24

…officially taken a back seat. That’s OK though. Needs - Must. Doesn’t mean the grey matter stops!

I mind a ‘Thunderball’ poster with a table in it - or was it N.S.N.A.?

Knots - Riddled.

03/02/24

20:11 - Malcolm John Kielt born - 7lbs 10oz.

Jan was amazing.

09/02/24

I have been thinking about what was put to [redacted] for the [redacted]. Advice could (and should) be taken on board closer to home.

Certain circumstances, mean that practice has taken a back seat - as it should - but this shouldn’t be an excuse to down tools completely and end any creative activity that could be happening. I don’t know if I could fully switch off anyway.

Just because the practical studio and office / sketchbook time is lowered doesn't mean all artistic outlets dry up! There is room in other spaces. Even now, trying to carve out some creative time will be important. Use any spare time wisely - but also enjoy the early days of baby number 2!

10/02/24

Studio cleaning and some posthumous signing this morning.

Had time cleared for the studio for a few hours - just to get some paint down when no sooner had I started, the skirting man arrived.

The best laid plans etc etc.

15/02/24

16/02/24

BEEP BEEP!

17/02/24

“A Brush with…. Wilhelm Sasnel”.

“I do not control painting; I follow it.”

Wilhelm Sasnel

Some studio work - bit of a no-go. Need to re-energise the on-the-go paintings somehow OR start from scratch OR (3rd option):

Finding - or trying to find a new rhythm. Tough going but we’ll get there. What have I done in the past when I’ve come to a cul-de-sac?

DRAWING BOARD! Practical Next Steps.

18/02/24

Plan set out to be productive this evening - … had other ideas.

Submitted!

---

X

IX

XIII

---

20/02/24

THRESHOLD Gallery, Belfast showcasing work as part of the Golden Thread Gallery Collection.

22/02/24

Ciarraí MacCormac at Ulster Presents.

Pond(er) at Catalyst Arts.

23/02/24

“Every man is guilty of all the good he did not do.”

Voltaire

25/02/24

“A Brush with… Stanley Witney”

(…a painting has to get ugly before it can be beautiful. If you go straight to the beautiful, you’re aiming at the pretty.)

Two canvases started. Badgers’ is quite interesting already.

Fingers crossed.

28/02/24

“A.J.#240” - well I fell asleep during that podcast. Riveting.

29/02/24

Sketchbook studies.

RDH: OCTOBER 2023

01/10/23

Three white rabbits.

Studio: ‘Passive Study’ going well - bouncing between the brush and the drawing mark. It’s always interesting to see which of the two (if any at all) comes to the fore.

“A Brush With… Sarah Lucas”

‘A Séance in London’ - slowly building layers but, more importantly, working through structure and composition. Very early days.

03/10/23

Anxiety overload!

05/10/23

WOW! Can’t remember a late night art quite like this one in a very long time. Belfast was buzzing!

'Cladding' at Catalyst Arts

'Dredge' by Gerard Carson at PS2

Johanna Leech and Stuart Calvin at Threshold space

Belfast Exposed

Royale Arcade Academy opening - Arcade Studios

Vault Studios Opening

09/10/23

Put the bloody phone DOWN!

11/10/23

Quick sketch of artist Amy Higgins. Ideas brewing.

12/10/23

Easy to say, but difficult to implement.

In transit

15/10/23

Studio - A.H. portrait study: A good start. There was one point where the charcoal became a little too much but thankfully it wasn’t difficult to rectify. Just before adding the last layer of charcoal, all the previous drawing marks were pushed back with just the paint taking the stage. Some nice areas of tonal quality but overall the image was flat. You would think that adding a charcoal line would make it even more flat in appearance but the opposite is the case! The crux of it - that interplay between the drawing line and the painting mark.

17/10/23

Second straight day of jury service but on the flip side, a good chance to see Kwok Tsui’s new exhibition in the CCA.

18/10/23

QSS - ‘Messy Business’. Great group painting show.

21/10/23

…worth sticking foot in the door.

22/10/23

Studio time. A long session but very little to show for it. Slow progress on all fronts. Perhaps working on multiple pieces (four canvases) is biting a little more off than I can chew?

Setting a couple of pieces off to the side for a while should make it more manageable. It probably hasn’t helped that the palette is in a poor state and needs cleaned badly. Not a complete loss of a day but it could’ve been a lot more fruitful. Several factors at play but, lesson learned.

Palette given a good scrub before finishing up.

25/10/23

Dublin - too dark to write on the bus down - too dark to write on the bus home. The Autumn evenings are here.

Atoosa Pour Hosseini’s ‘The Magic Circle’ in Temple Bar Gallery + Studios is excellent. Remnants of vintage horror films in the video piece.

RDH: JUNE 2023

03/06/23

Late night transferring… some drawings that have slipped through the net over the years.

04/06/23

Early rise - Early balloon

“A Brush With… Phyllida Barlow”

Two new canvases sketched out.

06/06/23

Charys Wilson at the Golden Thread Gallery, Belfast

Clinton Kirkpatrick at the Black Box, Belfast

08/06/23

Test prints in the post today!

09/06/23

Watch this space.

10/06/23

Studio cleaned, layered on two new smaller pieces, and cleaned palette.

11/06/23

…no more diddly-dallyin’, let’s get right on into this Sunday studio session. (IYKYK)

Substantial progress on “Put it Away”. Little prayer piece, not so much.

12/06/23

So “Put it Away” moving along nicely and a little surprisingly. The new paints are making a difference, I think.

13/06/23

Visit to the Belfast School of Art Degree Show.

Eimhéar Atkinson

Michael Doherty

Rachel McCallin

Éabha Campbell

Mollie Browne

Ciaran Dallat

Hannah Williamson

14/06/23

Didn’t get to sketch tonight as intended but there will be time set aside.

Mythology / Semiotics

…venturing onwards…

It’s just dawned on me that Saturdays will alter. Well, they’ll change a good few times in the coming years. But - as always, adapt, re-organise, create, repeat.

15/06/23

After all that graft … to be left at home.

Lovely comment today. Left painting over to Catalyst for showcase and auction coming up.

18/06/23

Studio time now. Let’s see where these go.

Quick notes for Prey/Pray:

• charcoal first

• contrast facial tones

• less marks in hair - blurred or subdued

Quick notes for “In a Corner/ Huff”

• Scrape paint on walls - flatter

• T-Shirt work

NB: Didn’t get as much done as I would like to.

19/06/23

PRINTS HAVE DROPPED!!!

20/06/23

FB Memories - use to dust cobwebs off? Also just having the small sketchbook close by - for out and about.

Is it too fuzzy? Probably do no harm to have the mini sketchbook around with me - as was the original idea for it.

One thing I have noticed, and it’s a good thing. With the two journeys on the bus three times a week and the time at lunch, I’ve noticed some considerably more writing / thinking time / ideas coming into RD.

I’ve even started bringing a book with me on the bus. Although The Iliad was probably a poor first choice. I am eager to delve into mythology / symbolism again.

The legend of “Bisclavret” has been crawling through my head the past few days.

IIW = IMAGES IN WAITING

21/06/23

Quick stop to see the work in Catalyst’s Showcase.

Very fast and very loose sketchbook study.

22/06/23

23/06/23

Our beautiful Bonnie, my studio assistant and my dad’s blonde shadow passed away in her sleep last night. Everyone is hurting. 12 and a half wonderful years. The best girl.

24/06/23

…called in to say hello… folds around eye went in such a way that it looked like he didn’t have a socket let alone an eye. Hard to explain.

Quick Question = Very Quick Yes

25/06/23

“A Brush With… Jacqueline Humphries”.

Finished “Let Us Pray”. Areas successful, others not.

28/06/23

Dublin Bound.

"Cailleach boy ii" by Kian Benson Bailes

"Singing Toadfish (emptying the lungs to fill my heart" by Kian Benson Bailes

Culchie boy, I love you / Grá mo chroí thú, mo chábóigín féin – Kian Benson Bailes at the Project Arts Centre.

"Small Earth (Eden)" by Katherine Sankey

"Swallow" by Katherine Sankey

“an atom bomb in each morsel of life” by Katherine Sankey in the LAB Gallery. Beautiful aroma in that first box space.

Sunset over Slieve Gallion

RDH: AUGUST 2022

02/08/22

Getting a little anxious as word gets closer…

03/08/22

“Girl with Red Hair” has been preselected!

07/08/22

Work dropped off to the RUA.

Visit to the MAC for Ron Mueck exhibition.

14/08/22

15/08/22

Can’t just be sitting around waiting…

Some sketchbook work started.

16/08/22

Drawings finished up from yesterday. Studio time now and some painting with the niece.

GOT INTO THE RUA SHOW!

17/08/22

‘A Brush With … Lina Iris Viktor’

“I think using a limited palette gives you more freedom.”

L.I.V.

Another layer on ‘lovers’ piece and a clean palette needed.

18/08/22

One Year!

20/08/22

Studio. Bit of burning on “Catherine Study”.

21/08/22

Good progress on “A Lovers’ Harvest”… man’s face works and doesn’t at the same time. Need to come back with fresh eyes.

There are aspects about “A.L.H.” I need to jot down:

• Fracture

• Loss vs Hope

• Memento Mori / Passing of the Seasons

27/08/22

Adam Pendelton on “A Brush With…”: “Masks conceal and evoke.”

Studio time: Grass - too much? Go lighter? Lovers - more sculpting? Background - more solidity?

A lot more questions than answers at the minute. Less writing, more doing. Retrospective analysis is much more succinct and compelling (?)

PTO…

Although, in hindsight, creating a short, concise list of things to look at, attempt / rectify seems to pay off more often than not.

“A Lovers’ Harvest” finished.

Detail of “A Lovers’ Harvest”

31/08/22

Submitted… finger’s crossed.

Never far from thoughts.

RDH: APRIL 2022

01/04/22

First bath.

02/04/22

…only to have the computer crash.

06/04/22

The best of intentions.

07/04/22

Sketchbook work. Blowing off the cobwebs.

08/04/22

CCA Derry

Great to meet a good friend for a coffee and a chat.

10/04/22

14/04/22

Need to find a centre ground in practice. It’s been an amazing 18 days with the beginnings of family life.

Red Head Redemption?

16/04/22

Nari Ward on ‘A Brush With’

“Chance is a material.” - N.W.

Really pleased with how ‘Girl with Red Hair’ turned out. Little bit of ogham incorporated into the sleeve - hangover from the Catalyst residency? No bad thing.

18/04/22

Delegate. Divide (time) and Conquer.

23/04/22

Just seen EMIC on ‘The Art that Made Us’ on BBC.

Incredible! So delighted for EMIC. What a platform and in such amazing company!

24/04/22

Some good movement in the studio today. There does seem to be a struggle with imagery at the minute. Solution: back to the drawing board. Literally. Setting time aside for drawing will help no end.

One Month old!

28/04/22

Sketchbook work tonight. Limited but worthwhile.

30/04/22

Little comparison to W.C. Honoured.

Studio time. “In the Pond” is getting there but need to be careful not to over paint.

…some interest in a selection process?

RDH: APRIL 2021

01/04/21

“A Brush With… Ali Banisadr” - audio-visual synesthesia.

02/04/21

Palette is cleaned and managed to get some good work on “On Gilded Steps”.

03/04/21

Added some gold aerosol for the edges of the steps. So close to finishing it up. Very frustrating as last week one of the figures that was working the best is now the last piece of the puzzle yet to fit.

05/04/21

“On Gilded Steps” finished!

09/04/21

…apparently it was coming but it was a jolt and now a growing sense of uncertainty.

10/04/21

“Seven Types of Ambiguity” by William Empson.

Ambiguity has to be purposeful, holding multiple elements in suspension - that’s when the ambiguity works and has a function.

11/04/21

Such a leap from what was happening last year.

12/04/21

Catch up on webinars. Is ‘brand’ a dirty word?

13/04/21

Episode 27 of “Jo’s Art History Podcast” is live! Always strange to listen to yourself back but I really did enjoy the chat with Jo.

Some good sketchbook work tonight.

14/04/21

Re-watching Rego Documentary.

“Gathering Thoughts” gathering momentum.

16/04/21

Quick run to Belfast to lift “Hotel ‘78” from the RUA.

17/04/21

Studio work: less will be more with “G.T.”. Progress made but very slowly. I could have ploughed on this evening but I thought it was best to quit for the day while I was ahead.

19/04/21

“Leonardo" on Prime. Fast and loose with facts but still fun to watch.

22/04/21

Yesterday saw a long overdue clear-out of the office and the start of a fresh lick of paint.

25/04/21

I think I’ve taken “Gathering Thoughts” as far as I can go.

27/04/21

A solemn anniversary.

28/04/21

Submissions made. Fingers crossed. Primed large canvas today which took several coats. Barrow + woman with dogs / butcher?

Starting to get excited by a piece that hasn’t even been started yet.

29/04/21

Decided against ‘woman with dogs’ and ‘butcher’ imagery and opted instead for early biplanes of the RAF. This way I can instead swap scale instead of orientation and hopefully not overcrowd the composition. The red container behind the medics should be kept and then adding the planes using tonal differences / slightly different register. There and not there. Pillers - might be best to paint them out. There will probably be remnants of them as layers are added.

30/04/21

A broken up sort of day.

RDH: DECEMBER 2020

01/12/20

…wrapping

Ars longa, vita brevis.

02/12/20

‘A Brush with… Ragnar Kjartansson’ podcast

“Art is a shelter from a storm” - Ragnar Kjartansson

“Raking It In” Pen on Paper

03/12/20

An opportunistic pitch to pat themselves on the back.

04/12/20

“Soaking Up The Sun” Pen and Marker on Paper

NT - how you might approach and on what grounds.

06/12/20

“Norwegian” notes: warmer flesh tones? Texture in sand (sawdust?)

“Swivel Study” Pen on Paper

07/12/20

Some really good sketchbook work done tonight.

“Just This Once” Pen on Paper

10/12/20

Commended for the Moth Art Prize 2020!

"Norwegian Stance" WIP

Malala Study

Thought I had destroyed “Norwegian Stance” a few times today but it’s a stubborn git. In any case it was good to get paint down.

…some sketching work tonight but not much.

11/12/20

One minute I think the painting is finished and then a wee niggly bit pops up.

“Norwegian Stance” all but finished.

14/12/20

Sketchbook work … but I’m distracted a little.

15/12/20

Belfast. Three months on…

“La Loge” in the Ulster Museum. Absolutely stunning to see in the flesh

Seeing “Hotel ‘78” with the name tag beside it made it all the more real. Great to see around the RUA.

Jaunt to the Golden Thread Gallery. Absolutely stunning show “Put It To The People” by Joy Gerrard. I’ve seen similar small scale works before but the larger canvases are amazing! Real gestural mark making at it’s finest.

Joy Gerrard at the GT

Peter Liversidge at the MAC

"In a Rainbow of Coalitions"

The Peter Liversidge show in the MAC is at such an epic scale. Uplifting messages and cool to see the workstation tucked away at the back. The “In a Rainbow of Coalitions” show in the MAC was colourful, fun and poignant.

18/12/20

What’s been lacking recently is the idea of structure. Lists are missing. I love lists. I think this happens around this time every year.

… large scaled drawings - add a link between the pen drawings and paintings…

20/12/20

“Pacing in Isolation” Pen and Marker on Paper

23/12/20

Conjunction with Jupiter and Saturn

27/12/20

Inspiration is not reliable. Keep curious and critical. You don’t know everything and never will. Perfect conditions don’t exist so stop waiting for the ‘right’ time. Art is not who you are - art is a way of expressing who you are.

29/12/20

Tidying loose ends.

30/12/20

Doing these semi-traditional write ups at this time of year helps to take stock of what’s been happening. Hopefully subliminal pointers of where to possibly go next have been planted for the time ahead.

RDH: AUGUST 2020

01/08/20

So saddened to hear of the passing of Chris Ledger. She was a true friend of the arts in NI and helped me in both a professional and personal capacity. Her tenacity and drive will be sorely missed.

02/08/20

Cleaning and priming.

03/08/20

‘Seashore Jester’ … over-painted to the point of no return - burnt and slashed. Good progress on “Enfield Study” though.

Close up of “Enfield Study”.

It’s finally happened! I’ve had a little painting accepted into this year’s RUA exhibition!

04/08/20

Wee day off.

05/08/20

“Enfield Study” finished.

Watched ‘Apocalypse Now’ properly for the first time. The real animal sacrifice at the end was disturbing.

06/08/20

Sketched out some new canvases including a narrow set for a triptych.

Object connected to the figure rather than the figure itself so may need to rethink the centre canvas.

…a few people have told me how “Enfield Study” disturbs them and makes them feel uncomfortable. So a job well done.

07/08/20

Lots of blocking in compositions today.

10/08/20

Greenberg vs Read (HANDBAGS!)

Some studio time today. Almost too warm.

12/08/20

Left up “Hotel ‘78” to the RUA today.

Sketchbook work.

14/08/20

Jenny Saville in the “A Brush With” podcast is great!

When asked what is art for, Saville replies:

“Art is for life. Art is for survival. You know it’s a shock of recognition that you feel a sense of belonging you recognise yourself in the world. I really believe it’s for survival. It’s intrinsic to being human. We either have to make marks or it’s like singing or making music. It’s fundamental to being a human being. I can’t imagine doing anything else. When I’m in the process of painting I feel very in touch with myself in a sense that nothing else I’ve ever done in my life does.”

Satellite paths

16/08/20

Nothing the past few days due to another trip to the hospital.

18/08/20

One year to go.

19/08/20

Finished “Exhibits A to C”. Good to get painting again after a little setback. Chuffed to be names Catalyst Art’s Member of the Month for August!

20/08/20

Some good studio time in today.

21/08/20

“A painting which is from a specific photograph - you have to go beyond the photograph so you have to make the paint do something and once it gets a nature of itself then it belongs to the world and it takes a long time to get be in that field.”

Jenny Saville (link for interview here)

23/08/20

“Avarice is the enemy of virtue.”

Leon Battista Alberti

Sketching and mostly failing.

25/08/20

Studio time but nothing too strenuous.

Great to have a virtual catch up with UoA folk!

29/08/20

Trauma is inarticulate.

Some good progress on “But I Don’t Get It”. Still flat in areas but it’s nearly there.

31/08/20

Finished “B.I.D.G.I.”