RDH: APRIL 2023

02/04/23

“…entry point into an emotional landscape.”

“…photograph is just a vehicle to then deal with those subjects that I want…”

Matthew Krishanu on “A Brush with…”

Having a crack at “Check Your Pockets” again. Going to try attacking it from a different angle.

09/04/23

Easter Sunday.

“A Brush with… Mike Nelson”.

“C.Y.P.” - let’s just get something down.

Good progress on figure today. Looks solid but… it’s not sitting right though and when I looked again after cleaning brushes, only then did i realise… the issue is the background. Compositionally it’s fine but the colour choices and tonal values are all out of whack.

11/04/23

Over the Moon!

12/04/23

Beautiful postcard came in the post from Hang Tough Contemporary for Alana Barton’s solo show in Dublin.

14/04/23

Still pinching myself. Best foot forward!

16/04/23

Seem to have went and gone the long and awkward way about it but “Check your Pockets” is finished.

Some sketchbook work to finish the day off.

20/04/23

Special letter in the post.

23/04/23

Great to hear the Ulster Museum being interviewed in The Art Newspaper’s “Week in Art” podcast.

“A shared history, not a shared memory.”

Studio time - clothing an background work on “Boy Soldier”

RDH: DECEMBER 2022

02/12/22

Wardell Milan - Louisiana Channel

Sketchbook work - it’s been way too long!

03/12/22

Quick studio time…

… as suspected, it didn’t take much to get last two paintings of the year over the line. Still aiming to keep the (well, less is more is a little inaccurate) “Stop before I think I should” mentality.

Definitely less misses with this strategy.

08/12/22

‘New Exits: 10 Years of Painting’ opening at the MAC. Excellent show. Daniel Coleman’s painting ‘The House Down the Lane’ is absolutely stunning. It moved me to tears. A real stand out from a strong group show.

11/12/22

Freezing in the studio.

Drew up two small works (having a crack at the ‘Jaws’ image again - with a slightly altered composition) and have set up to take a look at a couple of pieces that have fallen through the cracks recently.

‘Street Walker’ and ‘Laughing Man’ (working titles).

17/12/22

Wood is for the living, stone for the dead.

Said farewell to GT’s reading round. It’s been such a boost having this weekly outlet of chatting, sharing ideas and making connections. Had a great run!

Stream of admin this evening.

18/12/22

“Tomorrow is Saturday” - Interesting documentary on Sean Hillen.

28/12/22

Studio time. “The Week in Art: 2022 in review” podcast.

Blocking in on the small piece. ‘Man looking in his pocket while descending the stairs’ or ‘Looking for keys’ OR ‘Check your pocket’.

29/12/22

Newcastle.

30/12/22

Penultimate day of the year. admin and prep before a few hours in the studio!

For the time of the year that it is, I find myself in a bit of a reflective and thankful mood. 2022 has been good to me.

• Collaborative residency and exhibition with Catalyst.

• Work shown at the Boyle Arts Festival, Roscommon.

• Part of the Royal Ulster Academy Exhibition in the Ulster Museum, Belfast.

• Gave a talk with Basic Space Dublin in the Hugh Lane Gallery.

• And most importantly, became a father!

There have been losses also. People who have impacted our lives that have moved on, but their imprint will remain.

So much to be thankful for, a loving family, the support of friends and loved ones during the highs and lows. Also, to those who took a chance on my work, who invited me to be a part of their projects:

THANK YOU!

2022 in Pictures

January

Detail of "A New Normal"

Supermoon

Sketchbook work from childhood photographs

February

Ronnie Hughes' 'Isobar' in the MAC, Belfast

Notions for ideas in the snow

Catalyst Residency - early beginnings

Cast of my mouth by Stephanie Tanney

Temporary studio space in Catalyst Arts

Artist Rachel Macmanus hard at work

Ogham residency in full swing - late February

March

Final stages of work for Ogham in Catalyst

with artist Stephanie Tanney and curator Jen Alexander in final moments of residency

painting in progress - hair colour undetermined

Mothers' day - little Imogen is born

very early morning sunrise

back home and doing / adjusting well

at the closing night of Ogham exhibition in Catalyst with artists Rachel Macmanus, Stephanie Tanney and curator Jen Alexander

April

Quick sketching work

Ciarán Ó Dochartaigh at CCA Derry

'Ogham' work returned to the studio

'Girl with Red Hair' finished

Emic in 'Art That Made Us' documentary series

May

Decisions, decisions

Drawing from historical imagery

June

'Mothman' detail - in progress

'Peek-A-Boo' close up

Claire Barclay at the MAC, Belfast

July

A studio assistant sleeping on the job

beginnings of a small piece

Studio wall shot

Powerful work by Stuart Calvin at Atypical Gallery, Belfast

On show at the Boyle Arts Festival, Roscommon

August

Ron Mueck at the MAC, Belfast

Sunset at Portrush

detail of skulls

little and large

September

a conversation in pen

'Four of Five' detail I

'Four of Five' detail II

October

a packed opening of the RUA exhibition in Ulster Museum, Belfast

'Girl with Red Hair' in RUA

Giving a talk about practice in the Hugh Lane Gallery, Dublin

Springing on with new works

November

Imogen's first trip to the Ulster Musuem - infront of Alana Barton's work

Proud daddy and daughter moment

detail of eye in progress

December

The last works completed this year.

Stunning painting by Daniel Coleman at the MAC, Belfast

The opening of 'New Exits - 10 Years of Painting Shows' in the MAC, Belfast

RDH: OCTOBER 2022

02/10/22

#Mousegate

Strange events

08/10/22

…notes complete. Need refined for easy consumption.

13/10/22

Crowd at opening of RUA in the Ulster Museum

Craig Donald's winning portrait: "Marinus van der Lubbe"

Alana Barton with her painting "Faeries".

Pictured alongside "Girl with Red Hair"

Royal Ulster Academy opening. Craig Donald won an award for best portrait! A great night all round and chuffed to see my little painting up on the wall with some wonderful artists.

14/10/22

Early start. Perhaps the X in X4 stands for extra-long.

The Hugh Lane Gallery, Dublin

Works In Progress Space in the Hugh Lane

Mid Presentation

"O, To have a little house" by Michelle Malone at the LAB Gallery

Talk in the Hugh Lane couldn’t have gone any better. Pleased with the reaction and feedback from everyone and profoundly grateful to Basic Space for the opportunity to speak.

15/10/22

Studio Shot: 15/10/22

‘A Brush With… William Kentridge’.

charcoal - the indeterminacy of the point.

… at the edge of meaning.

“Give an image the benefit of the doubt… there is a danger in certainty.”

William Kentridge.

21/10/22

NB: Melancholic apostle image interesting.

22/10/22

World of proximities.

23/10/22

26/10/22

Sketchbook work.

David Lynch “The Art Life” - documentary

27/10/22

“The Art Spirit” by Robert Henri

30/10/22

“Cherish your own emotions and never under value them”

Robert Henri

RDH: AUGUST 2022

02/08/22

Getting a little anxious as word gets closer…

03/08/22

“Girl with Red Hair” has been preselected!

07/08/22

Work dropped off to the RUA.

Visit to the MAC for Ron Mueck exhibition.

14/08/22

15/08/22

Can’t just be sitting around waiting…

Some sketchbook work started.

16/08/22

Drawings finished up from yesterday. Studio time now and some painting with the niece.

GOT INTO THE RUA SHOW!

17/08/22

‘A Brush With … Lina Iris Viktor’

“I think using a limited palette gives you more freedom.”

L.I.V.

Another layer on ‘lovers’ piece and a clean palette needed.

18/08/22

One Year!

20/08/22

Studio. Bit of burning on “Catherine Study”.

21/08/22

Good progress on “A Lovers’ Harvest”… man’s face works and doesn’t at the same time. Need to come back with fresh eyes.

There are aspects about “A.L.H.” I need to jot down:

• Fracture

• Loss vs Hope

• Memento Mori / Passing of the Seasons

27/08/22

Adam Pendelton on “A Brush With…”: “Masks conceal and evoke.”

Studio time: Grass - too much? Go lighter? Lovers - more sculpting? Background - more solidity?

A lot more questions than answers at the minute. Less writing, more doing. Retrospective analysis is much more succinct and compelling (?)

PTO…

Although, in hindsight, creating a short, concise list of things to look at, attempt / rectify seems to pay off more often than not.

“A Lovers’ Harvest” finished.

Detail of “A Lovers’ Harvest”

31/08/22

Submitted… finger’s crossed.

Never far from thoughts.

RDH: JULY 2022

02/07/22

Studio - moth wings getting there. .. dusty. Struggling with top colour. Tried green and purple. White is too close to the magpie moth tones.

Little studio buddy today

'Mothman' detail

03/07/22

In my own head yet again. This time it feels vastly different. Other concerns are taking precedent and pushing issues into the background. This is never a final solution I know but it is positive that mindset has altered accordingly.

More progress to ‘Mothman’ this evening.

08/07/22

“The artist has to put before the eyes of the public forms and poses which has existed previously in the darkness and confusion of an irrational mind, or one which is beset by uncontrolled passion.”

Goya

10/07/22

13/07/22

Sad to be missing the opening of the Boyle Arts festival tonight.

view at King's House, Boyle - image courtesy Daniel Coleman

Sketchbook work instead.

14/07/22

Asked to give a talk. Delighted.

16/07/22

Nearly fell asleep. Not a good start.

Studio - at a bit of a crossroads. This along with paints needing freshening up is why I’ll focus on drawing up new canvas / boards.

17/07/22

Studio again.

It’s so strange. Things are so good at the moment. Just… negative voices. Popping in and wearing down. Keep active mentally. Support system. Breathe.

18/07/22

When a lead weight is released, you float and rise. Getting there.

‘Mothman’ finished. Trying to stick to the less is more philosophy.

19/07/22

D.T.M.

20/07/22

Sketchbook work.

21/07/22

Short but very sweet stint in the studio. A good start on three pieces.

22/07/22

Ulster Museum trip with my girls!

Stuart Calvin’s show in Atypical is excellent and heartfelt. The Alexandra Lethbridge exhibition in the GoldenThread is worth seeing.

Stuart Calvin in Atypical Gallery

Alexandra Lethbridge in GoldenThread

23/07/22

Small progress in the studio. Hair in little portrait piece turned out way better than I thought it would. Best off leaving it alone!

30/07/22

‘Who Threw That?’ finished.

I think sometimes taking a risk can be as simple as not putting a mark down at all.

31/07/22

Compliments can’t be the ‘be all and end all’.

RDH: JUNE 2022

04/06/22

Studio. ‘Mothman’ finally being looked at after several years of hibernation.

Also, a surprise grasp on a 2020 sketch, ‘Peek-A-Boo’. Tall thin canvas has gone muddy.

05/06/22

Small magpie moth - colours?

One for sorrow. Fitting for a self-reflective piece about anxiety relief measures.

07/06/22

Postcard. visual feedback or [illegible].

08/06/22

The Odd inclination vs the Even inclination.

‘From the Creek Billy thought gleefully of the Ten-Foot Lady and the time her only decent leg fell and ended up on the wrong side of Belfast.’

PAULA REGO: 1935-2022

An absolute powerhouse, unashamedly honest artist whose work will resonate for generations to come.

“Dog Woman” Paula Rego 1994 Pastel on Canvas

11/06/22

Can you distill the feeling of an image with another or via another form of communication?

C.C.

12/06/22

Fast studio session. Some tonal values layered.

14/06/22

Went to sketch. Didn’t happen.

18/06/22

Darker red/brown in shadow? Little finger slightly bulbous under the nail and looks too long but it checks out in the source material and subsequent sketch from it.

Is it finished? The age-old question. The risk of overpainting is high. Should rest on it for a while.

21/06/22

Sketchbook work on the longest day of the year.

25/06/22

Whistle stop visit to Belfast today. Dropping ‘Saint and Sinner’ into RUA for delivery to the Boyle Arts Festival 2022. Also took a quick peek into the MAC to see Claire Barclay: Thrum. Interesting scaling of otherwise ordinary day objects/materials - allowing the viewer to reassess their relationship to them and their place(s of origin).

Claire Barclay: Thrum in the MAC Belfast

26/06/22

Less really is more. ‘Peek-A-Boo’ finished. The hand finally belongs to the face and the origin of the disc’s hue stems from a background colour within the hair. Tying up loose ends.

RDH: FEBRUARY 2022

01/02/22

Daft Punk Live - Alive. Frantic.

Sketch with music on in the background. No Show and Tell, just Tell.

05/02/22

4,000 weeks. Poetics of space.

Great to meet up with J.A. and S.T and to see Catalyst’s new space.

Edy Fung in the GT Gallery

Ronnie Hughes in the MAC

Quick jaunt to the GT and to the MAC in the morning. Edy Fung’s and Ronnie Hughes’ work were great! Hughes’ translucent layers of paint suck you in and grab hold. Shimmering colour clashes.

Head is buzzing with ideas. Exciting!

06/02/22

Mary Beard’s Forbidden Art. - Pan and the She-Goat.

Daphne Todd - painted recently dead mother.

“Violence will always be a part of the human experience.”

Mary Beard

It’s been an odd weekend. Great but odd.

Ideas are starting to be slid into place about how ‘Ogham’ will be approached. Churning away so keep faith.

It’s been a limbo sort of a day. Feeling the need to do SOMETHING - but not being able to find the energy.

Reading, research, drawing, responding.

Readymade… Domestic

So, actually I retract the ‘limbo’ statement. I did do things today. I was productive. It’s just there wasn’t any tangible outcome. Case and point… 7th page.

07/02/22

“An Ode Study”

Sketchbook with Daft Punk on - upping the tempo.

08/02/22

Fabric search.

Carving out ideas. Scrap yard.

09/02/22

H.B.M. Looking forward to getting into the garage this weekend.

Let’s give it a goo!

12/02/22

Aoife Dunn - IMMA: Socially engaging sculpture.

May have slipped a disc. Acetate sketches.

SUN - MOON - HOME

14/02/22

Image sorting today.

16/02/22

Meeting. Repetition and extremities. Develop and evolve.

17/02/22

J.A. Studio Visit!

19/02/22

Studio time! Finally! Using just titanium white and charcoal - both willow and compressed - to work up images. Going back to my process’ roots - year 2 in art college. Two new works started.

Studio Wall: 19/02/22

22/02/22

‘Ogham’ has begun. Dog study - black dog. Great to see what S.T. is doing in the space and Rachel’s response.

“Black Dog”

SLOW AND LOW SHOOTING STAR.

24/02/22

Snow! Appointment done.

ogham chair in the snow

25/02/22

Belfast bound. Scared guide dog on the 212.

Great to get into the space at Catalyst and set up for the next two days. Began working on two pieces. ‘Don't Look’ in ogham.

Set up of 'Ogham' Residency in Catalyst Arts

Cast of my mouth by Stephanie Tanney

The fourth wall is glass. Casting of mouth by S.T. Reminds me of ‘Red Dragon’ from the SotL prequel of the same name.

26/02/22

Day two in the space. Time is not our friend but still have to remind ourselves that there’s no end goal needed. Just to respond and be creatively present.

So good to meet Rachel and see Steph’s process in the flesh.

My 'ogham studio' in Catalyst Arts

Two Works in Progress

Artist Rachel MacManus working in Catalyst Arts

Panorama of 'Ogham' residency set up

"An Ode to Black Dog" Painting in Progress

N.P.

28/02/22

‘Offsite’ chats with Catalyst! Refreshing.

RDH: OCTOBER 2021

02/10/21

Point of order today: DO NOT OVER PAINT!!!

Think “Rex Aegypti Penultimus” is finished.

05/10/21

VAI GET TOGETHER 2021

Rediscovering private and personal spaces / rituals.

06/10/21

Chanelle Walshe - self organised self-curation.

Duc Van Pham - Breaking down the figures - is this a way of adjusting / adding narrative?

Keynote: Christian Jankowski - “The Hunt” “Casting Jesus”

Beuys - difficult.

07/10/21

Why do we put people in boxes?

Superflex - interspecies living - “Flooded McDonalds”.

10/10/21

Dosed to eyeballs so not going anywhere fast.

12/10/21

Some sketchbook studies tonight.

13/10/21

Two new canvases begun today. Little and large.

16/10/21

Strong sense of self.

Good progress in the studio today. Didn’t mean for the small one to go Holy.

20/10/21

Accepted into Platform Arts group show!

Detail of “Lady of the Manor”.

Getting there with “Lady of the Manor”.

23/10/21

Globalist cheerleading.

24/10/21

Wardrobe fiasco.

Detail of "The Doctor Will See You Now"

"Lady of the Manor" with "The Doctor Will See You Now"

“Lady of the Manor” finished.

25/10/21

Day trip to Belfast to deliver “Saint and Sinner” for Platform Arts group show.

28/10/21

HALLELUJAH!

29/10/21

Definitely been distracted lately but the blinkers need to come back on.

30/10/21

As it’s the season for it, here’s a golden oldie from 2003. This photo was taken for a GCSE Art project where my cousin Aidan dressed as the grim reaper holding a very rusty scythe. Our cat then walked along the tin roof behind him, jumped on his shoulders and then proceeded to stroll across the top of the blade. It all happened purely by chance and made for a great photo.

31/10/21

Early morning tonal work to “The Doctor Will See You Now”. Slow and steady progress but definitely best to stop when I did to give new layers a chance to dry.

Detail of work in progress - “The Doctor Will See You Now”.

Merry Halloween.

RDH: SEPTEMBER 2021

02/09/21

Organised ‘used imagery’ away into respective folders.

04/09/21

Acetate transfers onto canvas.

05/09/21

King Farouk onto pyramids? … GREEN LIGHT!

Quitting while ahead today but so far so good.

06/09/21

Scanning.

07/09/21

Such a mover! Beyond happy and proud and excited for things to come.

08/09/21

Some good groundwork done on the two smaller pieces.

09/09/21

Sketchbook work.

11/09/21

Tidy and apply sort of a day.

12/09/21

“Painting as an act of assembling different references.” - Ralph Rugoff

Finished “Saint and Sinner”.

13/09/21

Excited for VAI Get Together ‘21.

14/09/21

A long night of scans, and resizing drawing works.

15/09/21

Layers and layers, back and forth. Named due to facial expression.

18/09/21

Long shift in the studio but finished “Unimpressed”. Front hand is rough but if there was more done, it could ruin the whole piece.

22/09/21

… relished in the relationship between the paint mark and the drawn line - their harmonious and, at times, antagonistic tendencies.

Good bit of progress to “Rex Aegypti Penultimus”.

Applied and a waiting on.

25/09/21

<— This will be tough!

A nice couple of hours in the studio today. Pushing and pulling on “R.A.P.”.

26/09/21

Really good live chat with Clinton Kirkpatrick on Instagram. Nervous but thought it went alright.

28/09/21

Sketchbook work.

Huge congratulations to Array Collective for opening their Turner Prize exhibition. Everything is crossed!

30/09/21

Wake me up…

RDH: AUGUST 2021

02/08/21

Cover of Geraldine O’Kane’s ‘Unsafe’ has dropped. It looks great!

03/08/21

Finally finished sketches from last week.

10/08/21

Very very hectic at the minute.

11/08/21

Night Sky

18/08/21

Still pinching myself. The perfect day. Married my best friend surrounded by nearest and dearest.

22/08/21

26/08/21

Didn’t get … art award. Very positive feedback in email though.

28/08/21

First day back in the studio in over a month. Not much occurring but still good to get the overalls on and paint out.

Detail work on ‘Life is But a Dream’.

29/08/21

Dusting off the cobwebs.

Finished ‘L.i.B.a.D’. Kept it a little looser than usual and more on the raw side. Better that than over painted.

30/08/21

Sketchbook work tonight.

31/08/21

Never far from thoughts. Doesn’t feel like thirteen years.

VAI Café: Introducing Derry with talks from UV Arts, Void Gallery and CCA Derry.

Power will be off tomorrow so perfect opportunity to catch up on reading and writing.

RDH: JUNE 2021

03/06/21

Canvas stripping, stretching and some sewing experimentation.

04/06/21

Priming canvas is such a messy business!

05/06/21

Once the work is made, build bridges to your audience.

Artists need to band together!

Anne Imhof - finding refuge in the blur.

Sketched up new canvases.

06/06/21

Easily worked up - relax.

09/06/21

Finally getting round to cleaning garage and setting paint out. Asked if I’d like to be featured in a takeover. Chuffed!

Bit of a mixed bag in studio today. On wooden piece, that image just sucks you in and spits you out! With the large canvas started (‘Man Digging’ - working title) it’s quite a forgiving composition and palette working well so far.

10/06/21

“An archive of emotions”

Dr. Kate McLean

Didn’t get shortlisted.

11/06/21

12/06/21

Reading group outside this morning.

13/06/21

Some good, solid progress today.

16/06/21

So grateful to be included in Paint-Tube Dublin by Louise Wallace.

Sketchbook Studies

18/06/21

First vaccine received today!

19/06/21

Work on small portrait today - title undecided as yet.

‘The Eternal Bride’ myth.

22/06/21

Memory is forgetting.

A little mid-week push.

23/06/21

“A Brush with … Julian Opie”

So so close to finishing “Moon Boy”.

24/06/21

Some good sketchbook work this afternoon. Looking forward to getting to Belfast tomorrow.

25/06/21

Great to get into the MAC shows today, sadly didn’t have time to get round anywhere else.

Ambera Wellmann

Maya Balcioglu

Jaap Pieters

Will have to wait another little while for rings.

26/06/21

Studio time!

“Moon Boy” finished!

30/06/21

Ballyliffen

RDH: APRIL 2020

01/04/20

A day of cleaning.

02/04/20

Enjoyed doing the live stream for Atypical today!

04/04/20

“Inside Man” starting point.

“Titian: Behind Closed Doors”

Ovid’s ‘Metamorphoses’ - The ethics of looking.

05/04/20

Not sure if attempting “The Ferryman” on this scale is the right move.

The falling boy: “Full of Grace”.

Blocking.

Some really good progress in the studio.

06/04/20

Commissions

“If your art doesn’t reflect your family and community then what’s the point?”

Dale Harding - Tateshots

07/04/20

Happy anniversary JG!

Applications.

Never rains but it pours! Buckets needed.

08/04/20

“Full of Grace” coming well. Would like to incorporate ultramarine blue - hint to the Virgin Mary in there (via the window).

Very funny search for a protractor.

09/04/20

Farcical.

Eventually got to painting after helping with a birdbox.

Birdbox with slated roof

"Full of Grace" finished

10/04/20

Should have been “Confessional” exhibition’s natural end.

11/04/20

Such a battle with “Inside Man” at the minute. Struggling with that balance of realistic approach and the drawing mark.

It’s been a while: “I AM NOT A REALIST PAINTER!”

12/04/20

13/04/20

Not overly happy with the finality of “Inside Man” but best to finish up now before I properly overcook it.

14/04/20

All but finished another painting. It’s very strange times indeed.

15/04/20

“Circular Lapse Study” - detail

16/04/20

Six hours and I’m pretty much no further forward than when I started. Going to have to take a completely different route to accomplish this. It would help if I had a goal in mind. Detailed vs Out of Focus. In between? Trying to tackle the green slab all at once isn’t working.

17/04/20

Back to drawing basics turned to mush.

18/04/20

One step forward and four back.

21/04/20

Little talk with VAI’s online café went well with really nice feedback on work in progress and the studio set up.

22/04/20

Meetings.

23/04/20

Some really good painting put down today.

24/04/20

Need to box up and send off!

25/04/20

Reset. Breathe.

26/04/20

Looking. So important. Doesn’t mean you can’t allow for spontaneity or randomness in the process.

“Ferryman” is finished!

27/04/20

A cartwheel with no floor. CT Scans reveal right-sided skull vault fracture and subdural haematoma. Off to Royal Victoria Hospital.

Avulsion fracture to right wrist.

30/04/20

Out of hospital. Time to start recovery process.

Solo Exhibition at University of Atypical

Very happy to be displaying work in the University of Atypical Gallery for a solo show that is opening for Late Night Art Belfast on the 5th March.

Below is the text to accompany the exhibition. “Confessional” runs until the 10th April and there is an “In Conversation” event in the gallery on Saturday 21st March. All welcome

E-Globe Artist's Project article by Jade Riley

A while back I had the pleasure of chatting to Jade Riley, a writer and photographer, who has since written the following little piece about my practice. Be sure to check out Jade’s other writings on her site.

Thank you Jade.

What I love most about art is getting to know the artist behind the work and find out haw far the gap is between intention and visual content. Brian’s work is saturated in content which speaks to me personally. His enigmatic sketches draw me in, invite me in to almost converse with his subjects. Delicate line, yet bold movements. This is definitely an artist with something to say!

Brian has been creating art since graduating in 2010 from the Belfast School of Art. Brian’s admiration for Frances Bacon really shines through ‘His quote - unlock the valves of feeling sticks to mind’ This is exactly what I see in Brian’s’ work – an organic recording of experiences. The images allow us to absorb a jolt of feeling in that split second, the outer experience is paramount to the impact of the image. Brian also states that he also relates to Dutch artist Marlene Dumas ‘for her unflinching look at the human condition’.

I love Brian’s process in relation to preparing a piece, he works from life occasionally but a lot of his work is based on personal archival images (photographs) which pull themselves from the pile of sacred storage and into the painterly life of human experience. The naming of Brian’s work also adds to this sense of open mindedness, they guide you into a familiar overgrown garden, but it’s up to you which flower you pick. Will it lead you to a world of pain, trauma and suffering? Or will it lead you to a place of reminiscence, memory and delight? I revel in delight as to whether artists actually find out which paths their viewers take.

A quick and clever hand creates painterly gestures which haunt and yearn. The immediacy of the sketches mirrors the fleeting experiences and thoughts we drown ourselves in every single day.

Brian starts conversations with the viewers trauma and experiences, shakes their hands and whispers, ‘it’s OK’. His paintings feel like dreams of escapism, assuredly a remedy of sorts for rattling thoughts and questions unanswered. A mixture of bitter sweet.

There is an aura of subversion in Brian painting called ‘Rose’. An image of serial killer Rose West which has been watermarked with a pale, white rose, revealing her dead, dull eyes and plump red lips. Bleached of all colour and striking across her face, stealing the identify of what a rose should be. Her face has absorbed the colour, significant of the life she drained from her victims. A very powerful image which is haunting and striking.

Brian’s work ‘Hideout’ is full of movement and energy. A nod to nature and a reminder of our need to recharge. This painting for me signifies adventure, whether that be from all that is bad or from jubilance and wonder lust. The figure is ready. Ready for movement, ready for progression. Ready.

Brian’s work ‘procession study’ is a particular favourite of mine. The fifth figure giving us their full attention. We have been caught out. There is something rhythmical about this piece. The trudge, the swing and the sense of isolation and togetherness coming together. A duality of personal and private experiences.

Please follow Brian’s work at the following tags to ensure you don’t miss out on these relics of imagery!

RDH: NOVEMBER 2019

01/11/19

… good job I checked…

Sketching today but no joy. How to move past this?

02/11/19

A good tidy up in the studio. “H” going well.

03/11/19

Helping Jan with some wire-wool spinning experiments.

11/11/19

Recording today and some solid sketchbook time. It’s so important. It is where ideas form and lay roots.

15/11/19

“Long years of secrecy have turned their faces into masks.” - not sure where I heard this from.

16/11/19

Detail of “Helen” - oil and charcoal on canvas.

“Helen” finished up.

17/11/19

Consciously hold back images.

EMPATHY

22/11/19

What am I doing?

24/11/19

Sketchbook work.

25/11/19

“The Art Advocate” podcast - episode 8 is live!

28/11/19

Bizarre

Delighted to have been commended in the Moth Art Prize 2019!

29/11/19

“Real painters understand with a brush in their hand.”

Berthe Morisot

Need to try and make one little hour of creative work each weekday.

30/11/19

What a difference a boiler makes!

Episode 8 of the Art Advocate Podcast

Delighted to have been asked to sit down and have a chat with the wonderful Fiona Stewart for episode 8 of the Art Advocate Podcast!

Huge thanks to Fiona for inviting me to her wonderful studio for a chat and definitely check out previous episodes as well as keeping an eye out future podcasts.

RDH: 01/12/18 - 31/12/18

01/12/18

Blocked out “Bereft Clown”.

02/12/18

Found an ogham poster on North Street with an interesting translation.

Vault studios is amazing - especially EMIC’s studio space!

04/12/18

…text to coincide with next solo show…

08/12/18

Studio work today. Thought I was close to finishing ‘confessional’ but it might be further away than I imagined.

09/12/18

“You make a mistake when you explain the paintings through the war.”

Mark Stevens - on Bacon’s “Three Studies for Figures at the Base of a Crucifixion”

Several shooting stars.

15/12/18

Probably the most difficult thing I’ve ever had to do. Childhood hero reduced. It's a real jolt to the system.

Trauma doesn’t discriminate. It’s so subjective that it can defy explanation or description. Nightmarish.

16/12/18

Materials courtesy of the University of Atypical’s iDA award arrived to the studio today.

Need to learn to keep some things to yourself.

See it through. Stay strong and keep head up.

17/12/18

Panic attack today.

21/12/18

You never fully appreciate someone until its too late. A true legend that has shaped so many. Time with family is so important.

Resolutions < Revolutions

22/12/18

Moon-rise over Glenshane.

Thought I had a good night’s sleep but my body is telling me different. Need to draw more again.

26/12/18

Getting lost in thought about art is a joy. It’s like taking a mini vacation.

27/12/18

Some sketchbook work. Not much but it’s a start.

Look more before putting pen to paper. This is not to say to lose the immediacy during the act of drawing but to take a breath to absorb and examine what an image has to offer.

29/12/18

Finished “Confessional”. Maybe when the mind is distracted slightly it makes studio work more of an automated response? Decisions were made and action was taken.

Not saying having a completely distracted head-space works. Far from it. I’ve been there plenty of times and it’s disastrous. No. It’s more a case of - you’re in the studio and you have a clear(ish) idea of where the work will go so you follow that. The decision making dilemma is lessened due to the preoccupation of other matters going on upstairs.

30/12/18

A bit of work done to “Bereft Clown before clearing the palette and studio up for another year.

RDH: 01/11/18 - 30/11/18

02/11/18

… all but done…

03/11/18

Do I need a foreign colour? “Afore the Stoop” went in a slightly different direction than first thought. I think I had that quote by Helen Johnson still ringing in my ears about imagery possessing different surface qualities and being on different registers on the same picture plane.

The buzzard is still; hovering overhead while the still-life is in flux. Melting in on itself. To not just merge separate imagery on the one canvas but to treat them differently via technique. I’ve done this regularly in the past but never to this extent before and definitely not on this scale. There’s loads going on: blocked areas, melting, washes and burning/corroding of the surface for texture.

“Confessional” is a different beast altogether. It’s going to be a slower process - building up washes of colour, drawing elements back in followed by more washes until it comes to an end or a crossroads. So far so good. It’s not really a colliding of images. It’s the notion of what a negative of a pattern could do to another image.

Refreshing to see organisations opening doors. The model is being altered.

04/11/18

Kept hearing the shrieking of a buzzard every time I went to work on “Afore the Stoop”. When I looked it was perched on top of the tallest tree at the end of the lane and then glided off.

06/11/18

Some sketchbook work. Not a lot of time but that’s my fault.

09/11/18

HELP!

10/11/18

For studio work: cautious steps or daring leaps? Annoyingly close to finishing “ATS”.

Submission writing hurts my head.

11/11/18

Films to watch:

‘Deer Hunter’

‘Inland Empire’

‘The Killing of a Sacred Deer’

’Kill List’

‘Enemy’

‘Fruitvale Station’

‘Green Room’

‘Silence’

Finished “ATS”. Still bits that annoy but for the sake of not destroying it entirely, I don’t mind the imperfections.

Help has been indispensable.

12/11/18

Still waiting on magazine.

13/11/18

Egon Shiele Documentary - transcending the idea of the body as beauty.

15/11/18

Nothing.

16/11/18

Belfast bound for curator talks but looking forward to visiting some galleries first.

Jane McCormick’s “Not Half Right” at the University of Atypical was absolutely amazing. Insanely strong drawing and sculptural elements.

Nikolaus Gansterer in the MAC International 2018

Ali Cherri in the MAC International 2018. His work was the stand out work for me.

Curator talks as part of Belfast Open Studios from Visual Artists Ireland offices. Speaking at the event: Nora Hickey from CCI in Paris, Ika Sienkiewicz-Nowacka from CCA Warsaw, Dean Brierley from Caustic Coastel in Manchester and Anna Ciabach - formally of Monopol Gallery in Warsaw.

17/11/18

Work is being used as an example to show other artists about finding your own voice. Chuffed.

…someone has been keeping an eye on my progress and that is something!

Another trip to Belfast for more galleries and then a Speed Curating event.

Gerard Carson’s “Submersible Extractions” in Platform.

Patrick Colhoun at the Golden Thread Gallery.

Still of Barbara Hammer’s work at the Golden Thread Gallery exhibition.

Layout of the ‘Speed Curating’ event by VAI held in Belfast Exposed.

18/11/18

It has been a hectic but brilliant few days. Yesterday I called into Platform to see Gerard Carson’s “Submersible Extractions” and a solo show by Dryden Wilson. I followed this up by a quick look at the Barbara Hammer exhibition and Patrick Colhoun’s project space work in the Golden Thread Gallery. Then it was time for the speed curating event at Belfast Exposed.

… do research. What artists i admire….

…Strange. Nothing negative. Just nothing.

A lot of information. A real painter?

19/11/18

“In Defence of Representation” essay by Tristan Garcia.
In western philosophy the representational object is either a copy, a sign or a duplex.

“… according to the semiotic model, there is no representation without signification, that is to say without interpretation.” - Tristan Garcia

20/11/18

“Visual Pleasure and Narrative Cinema” - Screen (1973)

“The Victim” - Saul Bellow

21/11/18

Tried sketchbook work - failed miserably.

23/11/18

Projection onto fog screen.

Beaver Moon.

24/11/18

Thunderchild?

Line of connection between viewer and work - GO’H

Ask the question: what do you see?

25/11/18

Yesterday I eventually got painting around lunchtime - back and forth with ‘Confessional’ but progress made.  Great talk with GO’H about ‘the gaze’.

Leaf blowing.

27/11/18

Need to select paintings for Framewerk Christmas show.

28/11/18

“The Trouble with Painting” - ICA (YouTube)

“What you’re interested in in the world will feed back into what you are interested in as an artist.” - Alison Pilkington

…speaking about dreams, a quote from Alison Pilkington’s drawing seminar from the RHA really stuck out.  I’m paraphrasing here but the guts of it is this:  talking to people about why you make the work you do (or about your inspirations for that matter) is like talking to people about your dreams.  People aren’t overly interested when someone else describes a dream.  It’s subjective and personal and it’s all but impossible to get the experience across properly.

Sketchbook work.

29/11/18

A difficult few weeks to come.

RDH: 01/10/18 - 31/10/18

01/10/18

… of interest. Attainable small steps to reach big goals.

02/10/18

Delivery mix up.

05/10/18

Booked VAI speed curating slots for November.

…LA… fingers crossed!

06/10/18

initials in ogham

Experiment in the studio with a degree of success. When a fine layer of fixative is lit on the paintings surface, areas of the canvas that are predominantly charcoal or thin layers of colour are singed and blister - creating an interesting effect. Safety first though.

Jan is right —> the lighter background to “Pioneer” was more unsettling. Rectify.

07/10/18

Staring at “Pioneer”. I think I’m hesitant because its… I don’t know. I think the colours are too similar between light and shade. By the same token - you don’t want it to become too contrasting and cartoonish. A foreign colour introduced into the third panel may point a direction.

Flying by the seat of pants but you can’t control the spontaneous. Some detailed work today. It is getting there. Attention directed towards other matters.

… paintings and clusters of drawings - like a shotgun spread of memories. Jumbled - linked yet conflicting. Fighting for dominance.

\\\THE TRAUMA PARADOX\\\

08/10/18

Just realised a connection between “AMATGS” and the ivy crown. Oedipus plays would have been played during the festival of Dionysus - who is associated with a crown of ivy.

09/10/18

“ I gave myself permission to follow my voice and that’s what my whole career has been. I still give myself permission and no compromise. I compromised before but not when I became an artist.” Mark Bradford

10/10/18

World Mental Health Day.

11/10/18

13/10/18

“Into The Void Magazine” submission successful!

Sketchbook work and now watching the original ‘Suspiria’ for the first time.

14/10/18

Notes finished for presentation. Pleased with burning effect on triptych.

… was suggested something on Friday. Well it was more of a dialogue regarding “Pioneer”; the first and last sections work. They’re strong but the one that should be the strongest and the anchor, the middle piece is way behind. Changing from a triptych to a diptych? Leave it for a while - continue working on all three before abandoning the middle piece.

Using ash as a painting/drawing medium. Religious links? Why do ideas come in the final minutes of the day? Processing process.

18/10/18

On way to Dublin. Looking forward to talking about work in DLR Lexicon. Not nervous. Yet.

Just saw the most beautiful fox casually strolling across a field outside Armagh.

I’ve been skirting around issues. The ‘recall’ notion might be worth exploring again. Drawing. Painting. Video. Audio.

The DLR Lexicon is stunning. Really enjoyed the other talks - especially work of Cecilia Bullo.

19/10/18

Yesterday’s trip and talks were great. Just wish I had more time to go around some of Dublin’s galleries when I was down. Decided it was best to drop the middle canvas in “Pioneer Studies”. Finished the other two pieces and happy with the results.

20/10/18

A little tweaking to “Afore the Stoop”.
Dad suffered a bleeding eye following his operation.

22/10/18

Have been neglecting practice and methods during the week. Ards - it seems a long way off but it will fly in.

Keeping your finger on the pulse is no bad thing.

24/10/18

Personal history is a source - not the explanation. ‘imagine…’ with Tracey Emin on iPlayer was insightful. Have a new found respect for Emin’s practice and quite like a few of some of her new paintings.

27/10/18

No paints were used today but three canvases were started. The smallest piece - I don’t think will have legs. As a drawing it is strong but I feel it won’t work on canvas. I’ve drawn up “Bereft Clown” again - a different size to the previous square stretcher. Will see how it goes. The third canvas is the one I’m most excited about. It’s a merging of two images but in a slightly different way. First is an image of a German officer stationed in a concentration camp. The other is a negative of a confession screen. The idea is to project light through the lattice onto the portrait. Fright Night in the jungle was great fun!

28/10/18

Slept so much. Slow progress but progress nonetheless.

31/10/18

Spacing error.

“I’m really interested in creating moments of ‘push and pull’ in paintings and having different registers of imagery with different surface qualities - so one thing might be compositionally in the foreground but materially might be being subsumed by whats behind it.” Helen Johnson